10 Principles For Creating Remarkable Work

10 Principles For Creating Remarkable Work

Creating Remarkable Work

 

1) You’ve got to give yourself time. For some that means working a job they don’t love because it affords them a few hours at night they can work and not worry about paying the bills. For others this may mean living in an area that is cheap, quiet, far from distractions. It may mean a hiatus from family and friends or it might just mean waking up an extra hour earlier. Without time, you won’t be able to do work that matters.

2) Get funded in odd ways. You’re fortunate enough to be creating in an age where crowdfunding is a popular method of supporting your art, your project. But don’t neglect the opportunities that don’t require a healthy network of supporters. A simple grant here, a one-day-a-week job there can do the trick. And remember, you don’t need a mass of supporters, you only need a few people who already value your work, who are your core tribe.

3) Write out your story. If you have to force it to be interesting, then change your story. Go restart your pursuit in a way that is whole-heatedly interesting. You can own a motto and a personal statement, but keep it to yourself. Let it inspire you and only you. People want to hear your interesting story, not the four word motto that only breaths life for you or the promise you made yourself at the start of the new year.

4) Declutter. Destroy. Decrease your inventory. Purge your inbox, your Evernote, your journals. When going through your collections, either find a way to use what you’ve planned, written, drawn immediately or toss it. Don’t think of incomplete projects and musings you see as failures to launch, see them as ideas that never had life in them to begin with. It’s okay. Let them go. It will be weight off your shoulders now and save you time later.

5) You don’t need regular input and feedback when you’re in the creating phase. Create in privacy. Fail in privacy. Closing your door means you shut out criticism that cripples your momentum, it means shunning the naysayers that drain your motivation, it means giving nothing for others to judge you by.

6) This tip and what prompted me to write this list comes from Teresita Fernandez’s commencement address: when someone compliments your work, don’t believe them unless they can convince you why they believe it’s good. “If they can’t convince you (and most people can’t) dismiss it as superficial and recognize that most bad consensus is made by people simply repeating that they ‘like’ something.”

7) Other than bad habits, you don’t have to give up anything you love or want to do in life in order to create remarkable work. You can travel to all the countries you want, have as many babies as you want or go to school for five more degrees. You can create remarkable work all the while. You don’t have to forfeit your dreams to do work that matters.

8) Don’t believe you need a mass following to fuel your work. A few people who support you, who care about you, who believe in you is all you need. Don’t tell yourself otherwise.

9) Be nice to everyone. Be gracious. Be thankful. Be sincere. Be personal. Be human. Be likable rather than interesting.

10) When you face fear, troubles, setbacks in life–be it with your fitness, family, finances, faith, friends–fall back on your work, your art to hold you up, not drugs, not alcohol, not other miserable people. Remember that the work you create to help others, can also help you.

 

Stay Positive & Any Other Principles You Think Are Essential? Tweet at me: @thegarthbox

Photo credit

Learning From The Music Industries Failures And Recent Flailings To Stay Alive

I’m guilty.

Being a millennial, I have to accept a sliver of the blame for the continuous downfall of the music industry. However, going into the world of journalism, print media, and digital PR, I hope to apply what I learned from the downfall of the music industry so that other media industries can adapt and overcome.

I am not applying what I have learned to specifically save any piece of a media industry. No. I am aiming to create a new business model for them to adapt and prosper with. I’ve understood a few factors that I think other media industries can learn from the music industry to help them progress through the 21st century.

The first is that there is a lack of great music which often gets confused with “commercial.” You can find great music all day every day, there is evidently a surplus. That’s because so many musicians try to be great in the commercial sense. When really, when a musician releases music that is remarkable, worth talking about and passing to a friend, then you have great music. Other media industries need to realize what it is that gets talked about. Is it the products they create for the mass, the commercial, the revenue?  Or is it the products they create for the passionate individual, the human inquirer, and the loud mouth?

A second factor involves looking at how musicians are making their money, not how the music industry is making money. Most musicians make little to nothing from selling CD’s, selling their work on iTunes, or any other form of technological distribution. They make their money from playing at venues, going on tour, collaborating with other musicians to play at a huge festival, and asking for direct donations from fans (most recently utilizing Kickstarter and other crowdfunding sources which I call devotedfanfunding). They don’t sell music anymore, they sell an experience. Once other media industries realize that producing content isn’t what will get them to survive, we may see them pick up and push forward, refusing to meet the same demise of the music industry.

The last variable is built from the previous experience concept. Other media industries must focus either on an individual or small group of like-minded individuals, tribes. You can no longer market to the mass; it’s proven ineffective, especially in the music industry. Think about all the music that is out there, presented to billions of people, yet the music industry is still crumbling. The factions of the music industry that are prospering are those groups which have faithful fans. People come together to connect with other fans, synchronously sing the lyrics, and exchange what next event of the musicians they will be going to. It’s the tribes that are keeping the music industry alive, shifting, and possibly raising it back on its feet.

Other media industries need to realize these paramount shifts, these core variables if they wish to keep their industry going.