Quadruple Book Regurgitation

Following my breakup with girlfriend, I have decided to streamline my goals to accomplishments. At the beginning of 2012 I had decided that I wanted to read 25 books before the end of the year and last night, or this morning – I don’t recall what time it was – I completed that goal.

In the last week I have read four books that I would now like to regurgitate for you. However, unlike past book regurgitations, these will be more similar to reviews, as I did not highlight or pull out too many examples to share.

Ironically, during pre- and post- breakup I was reading The Mastery of Love by Don Miguel Ruiz.

I firmly believe that this book should be read by every adolescent of love. I would define an adolescent of love as anyone who has not read the book. This makes it very black and white as to who I think needs to pick it up. Did this book help me save the relationship? Obviously not. Could it have if I read it earlier, yes, but everything happens for a reason. (And that reason is usually based on the fall of three aspects, which you can read more about in my Twelve Pillars regurgitation toward the end of this post).

While you may solely believe that the book is supposed to help you master love, develop an honest and stable relationship and build a stronger chemical bond between you and your partner, you have correctly assumed only half of it. Reading this book during the break-up assisted me in making realizations and accepting them. The key to it though is not necessarily the eye-openers or realizations, they come naturally if you remain objective. However, if I had to simplify it for you, love is about acceptance.

In short, no matter when, where, or why you would pick this book up, you are going to feel that it was written for you, just you, at just the perfect time. Love is all there is, better to learn how to master (accept) now than later.

1-5 with 5 being read it right now, I will give it a 4.5

The War of Art: Break Through the Blocks and Win Your Inner Creative Battles by Steven Pressfield

This book was on my 50+ book list to read and to be straightforward (when am I ever not?), I got exhausted from reading all of the references to this book, all of the reviews and people suggesting others like me, to read it. As a writer, the more I know about the Resistance the better and who better to learn from than the one who put a title (the Resistance) to what prevents us from being creative.

After reading it in nearly one sitting, I was disappointed. Not in the sense of how it was written, or the advice in it, actually, the book is perfect but…

It’s perfect for someone who doesn’t know about the Resistance yet. For me, I’ve been aware of it, dancing with it and fighting with it for a fear few years now. As I set the book down, I really do believe that it should only be read by anyone who either has no clue about the Resistance or who is just starting to learn what being creative really entails.

If a blank mind opens the book, it will be taking in the knowledge Pressfield presents quicker than the desert floor absorbs a bit of rain, and craving more all the same.

While most of what Pressfield shares is only a reminder to me, there are certainly a few actions I will take as a result of reading it. One specifically is in response to reading the chapter “The Definition of a Hack”.

I learned this from Robert McKee. A hack, he says, is a writer who second-guesses his audience. When the hack sits down to work, he doesn’t ask himself what’s in his own heart. He asks what the market is looking for.” (pg 152)

For quite some time I have been eliminating multiple sentences and sometimes entire paragraphs, rewriting portions that I think are too personal or that the reader wont give a damn about, excluding swear words and even holding back a bit of my real potential. Possibly more times than not, I’ve been a hack.

Rest assured, that phase is over thanks to reading The War of Art.

1-5 with 5 being read it right now, I will give it a 5 if you don’t know what the Resistance is, a 1.5 if you do

These next two books are ones that came with the Success book package I purchased last November to jump-start my pursuit for just that, success.

An aside about reading Success books: You don’t need 20 of them. You probably don’t even need 10. A strong handful will do since they regularly repeat themselves in different forms. Also, you can purchase huge packages of 20-30 books on Success but what I have learned is that when you make and devote time to reading on personal growth, you have less and less time to continue doing so. Why? Because you are putting thoughts into action, advice into results and lessons into experience. By the time you begin going through your whole list of personal growth/ success books, you will have already changed your life so much that you are living the life you read about.

My immediate reaction upon reading and resting The Seasons of Life by Jim Rohn on my side table was that it’s a book that should be read in the Winter. It is a highly motivating take on the cycle of personal growth and from experience, most people are already feeling the height of their life during Spring/Summer. The Seasons of Life is not set to make where you are standing now even better, it is to give you a deep understanding of why you are standing where you are at this moment and advice on how to control where you will be standing one season, two seasons or three seasons from now.

Something I really enjoyed about the book was that it did not overdo it with the seasonal/nature analogy. There was a depth of optimistic realism – yes, that may be an oxymoron – that enables you to relate your life to that of trees, flowers, leaves, or the seasons themselves.

We all know that in the Spring we are often times ecstatic, in the Summer we are happy and content, in the Fall we are at peace but at Winter we are depressed. Reading The Seasons of Life does not present to you a way for balance or consistent happiness, but a mind-set and strategy to make the absolute most of every season.

1-5 with 5 being read it right now, I will give it a 2.5 and suggest again to read it during Winter

The next book in my “success series” we can call it, was Twelve Pillars by Jim Rohn and co-author Chris Widener

They took a fictional approach on telling the Twelve Pillars of success. It felt real in the sense that we all wish it would happen to us, so there is an instant connection between reader and protagonist. Speaking of it being fiction,  it was slightly predictable, at least the plot twists were but nevertheless the foresight did not degrade the story in any way.

There is truly a plethora of incredible quotes. For example,

“‘That’s great,’ Charlie said. ‘I am so glad for you. You will have to keep me posted as it progresses. Just remember that once a flower blooms, it still needs water and sun to keep it from wilting. The work isn’t over when the color comes out.”

The Twelve Pillars:

  • A Chance Encounter (Personal Development)
  • Live a Life of Health
  • The Gift of Relationships
  • Achieve Your Goals
  • The Proper Use of Time
  • Surround Yourself with the Best People
  • Be a Lifelong Learner
  • All of Life Is Sales
  • Income Seldom Exceeds Personal Development
  • All Communication Brings the Common Ground of Understanding
  • The World Can Always Use One More Great Leader
  • Leave a Legacy

Overall, Twelve Pillars was an entertaining read that allows you to put each pillar into action in your own life at the end of each chapter.

1-5 with 5 being read it right now, I will give it a 3.5

– As stated with the first book regurgitation on The Mastery of Love, I will now go into a quick insight about love/relationships from a combination of these two books, plus experience. Building a relationship is based on three factors: time, effort and imagination. HT to Jim Rohn, but I think I’ve taken it a step further than that.

Time can be based on quantity or quality, but in the real world, “time” is more “timing” than anything. It’s about spontaneity and creating the perfect moment.

Effort can be dwindled down completely to compliments. Women do not receive enough of them and once you begin to put in the effort, you will realize just how many they deserve.

Imagination is doing something fun, weird, and different together. It’s about getting her to think about the crazy things she has always wanted to do but never has and doing them! Dates, dinners and distractions have their place in a relationship but nothing will make a girl more happy than to do the oddball things she has always questioned about life.

Let me know any of your responses to my thoughts or your thoughts on the books in the comments section and keep coming back for more book regurgitations. After all, I have more time to read now. Is that an up side?

Stay Positive & Genuine

Garth E. Beyer

Unlocking Potential: Interview #5

I love when people ask questions. But I’ve missed a huge part of the process. Like many others, I have always taken an exciting interest in answering questions and the discussion that follows, but I haven’t necessarily focused on the question-asking. It wasn’t until I spoke with Michelle that I learned there can be so much more to the questions that are asked in addition to the answers one may receive.

Michelle was trained in the criminal justice system at an early age and learned the importance of asking questions through clinical training (she’s a licensed social worker). As a probation officer, she relied heavily on facilitating conversations with clients in order to develop productive working relationships. And, you guessed it, asking questions was a big part of that.

Have you considered how business, social media, and finding connections is primarily fostered by the right questions? Can you imagine creating a job of your dreams based on assessment, questioning, and curiosity? Michelle is not only living proof, but lively proof that you can get the right answers if you ask the right questions. She excitedly participated in my Unlocking Potential interview, adding a fresh, unique addition to my series. (You can view the others here)

Enjoy.

Interview: Michelle Welsch

GB: I would love to know what you think your passion, or your life purpose is. You have this fire, this passion that is evident. What fuels it?

My passion has always been people. I love to learn about what makes people tick and hear their stories, learning about their world and how they see things. I’m fortunate that the work that I do helps people share their stories with others. Connecting people only amplifies that. I like watching people make strides professionally and personally, and I like to think I help people do this through observation, helping people own and recognize their own brand story and introducing others who might enhance their work. My focus has mostly been, “How can I help others?” — I had never seen myself in the driver’s seat, always walking alongside people and businesses and companies I might help reach their goals. But with Project Exponential, I’ve realized I’m now steering my own ship.

GB: I see that many of your writings and blog posts are inspirational and talk about courage and challenge. Do you write everyday? Do you see writing as a practice?

You can write everyday, but that doesn’t mean you have to publish every day. It’s valuable to get into the habit of writing. That moment of brilliance will never come if you’re waiting. You could be waiting a very long time for that perfect moment. The perfect circumstance will probably never happen, and then you’ll never finish anything. Just get in the habit of writing ideas, notes, quotes, observations about things you see that inspire you. You have to practice seeing the world in a way that corresponds to words. You learn to verbalize and communicate in a different way and how to transfer your thoughts onto paper. While practice can make the process more fluid, with anything there are ebbs and flows. I try to aim for moderation. Often times those moments when you think you have nothing to say are the important moments when you have to force yourself to write anyway.

GB: I have to ask, is there a book in store?

I’ve flirted with this idea, but we’ll see. It might be a fun goal. Recently I came across Austin Kleon’s advice: “Write the book you’d want to read.” I’m not entirely sure what I’d write about just yet. I’d need to have more of a concrete idea before I really consider.

GB: I just finished reading Keri Smith’s book: Living Out Loud. She mentions all great female writers have an intrinsically unique connection to nature. I’ve seen some recent photos of a trip to Peru on your twitter feed. Are the outdoors important to you?

I grew up in Colorado where the outdoors are an integral part of life. When I first moved to New York, I thought I was going to have to give that up. But I found Discover Outdoors and the Upper West Side, surrounded by Riverside Park, Morningside Park, and Central Park. Being outside has always been super important to me. I get the best ideas when I’m outside and running around. The ideas always happen when I’m someplace in Central Park, and then I have to repeat it over and over in my head until I can come home and write it down. I think that’s when the best moments happen, when you’re in a different environment.

GB: Now I’m going to shift the subject a bit. What’s it like working with Seth Godin? Do people equate you with him?

Working with Seth has been some of the most rewarding work I’ve done. He’s incredible to work with. With Seth, his work is his. It’s about picking yourself and creating your own name.

GB: You’ve certainly done that. How have your past experiences impacted your work?

My resume is a little nontraditional. I’ve managed to draw valuable lessons from a variety of environments — the court room, the South Bronx, higher ed settings, and clinical therapeutic settings. My transition from social work into the corporate, business world started really slowly. When I freelanced for Interbrand, I was a consultant in this very buttoned up corporate world, but I would often teach people the same skills I would teach, let’s say in probation or to disadvantaged youth, how to be genuine, human and approachable when communicating. My experience there acted as a type of “mini-MBA” and showed me what skills I could bring from my former career path into this new world of business and tech.

GB: It seems your consulting work helped lay the foundation for the creation of Project Exponential: the transition, the growth, the learning, the insight, and most importantly, the transferring of skills. I’m so curious about what you do. After looking through Project Exponential’s website, I immediately related to your passion, mind-set and way of thinking. I imagine you’re someone who likes to dabble in a little bit of everything (most of us who strive for success do). Is that why you make events where really different people come together?

When I first began to make the career switch, I started wondering what kinds of work people would do if they borrowed from a different industry — whether it would be better, more interesting, more creative. I started sending email introductions to people I had encountered who had similar interests or parallel work. Sometimes best intentions fall flat, and the intended coffee dates wouldn’t always happen. So I began selecting individuals and extending invitations to unique locations I had reserved throughout New York City. I wanted to run my fingers horizontally through industry verticals.

GB: So what happens during a Project Exponential event?

It’s always different, depending on who is there and what kind of space I choose to complement the group. The venues change; it could be a private room in a trendy restaurant where attendees have to walk through the kitchen, past the chef and the dishwashers to find it. I’ve held some at wine shops that separate part of the store for us while we are there. I’ve also hosted attendees in a basement dining room, and they’re treated to a four course meal. It’s an experience.

Before events, I spend time with each attendee, learning more about their work and creative process. It’s kind of like an assessment. I create specific, tailored exercises for each event so that people can learn more about each others work. One of my favorite parts of my work is to find the balance of structure, easing anxieties of being in a foreign place with strangers and creating the backdrop for serendipity to take place.

GB: Your understanding how to create problems and questions specifically to each group you curated is extraordinary. You’ve stepped away from traditional networking conventions. Why is it important to you to protect the names and titles of those attending?

I want to create a space where everyone’s on the same playing field. This anonymity allows people the freedom to step away from their work and whatever preconceived notions or judgements someone might have about what they do for one evening and connect with others in a meaningful way. There are plenty of events that list of the names of attendees. You go, hoping to meet specific people there and may walk way with a few business cards that, if you’re lucky, turn into something remarkable. You may also miss meeting a handful of incredible people who didn’t have the job or the title you wanted to see.

I have seen magic take place at Exponential events; people are following up with coffee dates, planning bike rides, helping each other with business ideas and expanding their networks. I’ve watched design directors brainstorm with entrepreneurs, athletes mix with CEOs, and writers engage in hearty conversation with bankers. My aim is to use this momentum to inspire others to do the same, step out of their industries and put themselves in new environments where boundaries can be crossed. I want people to ask, “How can I disrupt things?” and make something happen.

GB: What has been a highlight of your work with Project Exponential?

I take a lot of time putting each group together. With each event, I consider who needs to meet and at what point during the evening this connection might take place. Connections and common interests aren’t always clear, but it’s up to me to connect the dots. If I’m honest, there’s a quite a bit of anxiety for me in delivering something magical for each attendee, but it’s incredibly rewarding to watch two people interact in the way I had envisioned. I try to focus on providing the backdrop for magic to occur and let the people take care of the rest.

GB: What inspired you to make this career change? What got you going and what’s propelled you forward?

The move from the social good world to what I’m doing now was intentional but not necessarily direct. I knew that I needed to take specific action to get into the next realm and took small, manageable steps. With Exponential, it took more coaxing and courage, and I had to make the decision to commit to it. Seth’s work helped quite a bit.

We grow up learning that we have to find the job, do the work, and get paid. Suddenly it clicked: “What a minute, I can create this dream job I’ve been searching for.” And then it’s a matter of jumping. At first, it’s a bit of a bungee jump feeling — exciting and scary but you can’t wait to see what happens.

GB: How do you try to live your life? Are there any quotes that have inspired you?

“Leap, and the net will appear.” -John Burroughs

You have to take risks. No decision in life is irreversible. It’s much better to go and do and figure out how to fix it, and you’ll feel that much more satisfied with having tried it. You just have to do it. Jump. Go. It doesn’t matter if it’s in the wrong direction, you may end up with a more scenic, memorable ride. Just go. That’s how I ended up in New York.

Look and see how you can shake things up, be fearless. Whether it’s walking home from work a different way, trying a new restaurant, placing yourself in a new environment to meet new people, inviting random people to your house — just open that space for different things to come your way. It doesn’t have to be huge.

____________________________________________________________________________________

You can find Michelle and her work online, most recently here. I have also shared a few of my favorites below.

You can ask Michelle questions of your own on twitter @redheadlefthand or send her an email at info@projectexponential.com.

To learn more about her project, visit www.projectexponential.com.

 

Stay Positive & #impresario

Garth E. Beyer

Turning Beauty Into Art

Credit and Source: Giuseppe Arcimboldo

“To stimulate creativity, one must develop the childlike inclination for play and the childlike desire for recognition.” – Albert Einstein

Anything can be art: a simple doodle, a crumpled paper or one huge collage of junk. The best art though is intentional art, no matter the depth of beauty.

Intentional art is art that originates from a beautiful source, it is not something the is created and then made beautiful. Knowing me, I have to say that everything is beautiful, but what you already believe is beautiful is the best source of art.

What are 5 things you think are beautiful? Now, how can you turn them into art?

It’s a simple process to becoming an artist. After knowing the answers to those two questions, all that is required is action, a bit of your imagination and a touch of insanity.

“Logic will get you from A to B. Imagination will take you everywhere” – Albert Einstein

Stay Positive & Youthful

Garth E. Beyer

You’ll Never Reach Success By Being Careful

My option for being careful was either to keep a distance and eat raw chicken or put it close and deal with a few burnt parts.

 

A lot of things can happen when you aren’t being careful.

Juice getting spilled on the counter. The cereal bag being ripped down the sides. You curbed the car making that turn. You got pranked with gum that tastes like pepper. The screw was dropped down the drain. You accidentally spelled “duck” wrong in your term paper. And so much more.

Actually, there are so many more things that can happen when you aren’t careful that I just have to continue…

You managed to standout at the board meeting. The reward, the gift, the acknowledgment came to you. You got inspired. A memory that you will always look back on and cherish was created. You got lost and found a new restaurant. You took a risk… and succeeded.

Those who achieve their goals, who make something of their lives, who are “successful” are no more careful than you and I. Actually, they are less careful.

They understand that the more they fit everything into a schedule, the more they are patient and careful with every social interaction, every small contract and every gift, the less creative and energized they are. Less potential is unleashed this way.

In being obsessively careful, you are preventing miracles from happening, putting a stop to unexpected delights and memorable surprises to occur. In being careful you are saying to the world and everyone around you that you want to play it safe, that you don’t want any turbulence and above all that you don’t want to make any risks, even if taking a risk meant succeeding.

 

Stay Positive & Think Twice Next Time You Tell Someone To Be Careful

Garth E. Beyer

 

 

Questioning Error Correction

What if we corrected all the errors in the world? Would we be perfect?

If you answered yes, do you really believe it?

Does correcting errors bring out potential? Or merely suppress it and endorse mediocre?

If we got every student to get an A in each subject, would we have a world of inspired geniuses or a world of people who are just good enough in every area?

Getting a juggler to never make an error kind of defeats the purpose of a juggler doesn’t it?

If error correction is your goal, are you saying that being at a specific prescribed weight is worth giving up the slightly off track, but happy, minor error eating habits you have?

Do you think it’s fair to train one person to correctly do 10 tasks or 10 people to not only correct one task each, but to bring their creativity to that one task as well?

Only focusing on error correction kind of destroys any potential, any chance of growth of creativity and of art doesn’t it?

 

Stay Positive & Why Correct The Bad When You Can Amplify The Good?

Garth E. Beyer

 

What Comes After “The Next Big Thing”

Awesome. Now what’s next?

I noted yesterday that the more you know, the more original you can be and in being original, with a bit of intuition, you can create the next big thing.

(As I was writing this, a commercial came on for the new galaxy SIII and the final words on the screen were “The Next Big Thing Is Here”.)

What’s after that then? What are your plans now that you made the next big thing? So you made an awesome book-page-open-holder or you found a way to connect the photos taken from one person’s phone with all the other friends immediately after taking it. Now what?

You have two options.

1. You can cash out and do your best to make the money last.

2. You can use the cash from your creation to start working on the next big thing.

One decade ago choosing number one was viable. Not only would you make a lot of money from creating the next big thing, but it would be a long time before the next big thing trumped yours and cut your cash flow.

But in a world that people are making something bigger and better than the person next to them every day, option one just isn’t an option anymore.

That leaves option two. And option two takes dedication, creativity and more hard work as you invent more of the next big things. Which is perfect not just for your tribe, but for your passion, for your income, for your life and the world we live in.

This idea, this concept, this law that guides what is successful couldn’t be a better one for us. It ignores those who only create something that is cheap, that is an imitation, that is only meant to fulfill option one and that has no art in it.

 

Stay Positive & Hallelujah

Garth E. Beyer

Creativity, Changing The World And Being Original

It’s true we feel that in order to make any change in the world, any real impact, any worthwhile improvement that we have to be original.

We can’t change the world in a massive way by donating $5, volunteering 20 minutes of our time or inventing an imitation drink of Pepsi and Cola.

Naturally, deep down, we want the next big thing and anything less than that we want nothing to do with.

We use the fact that we’re in this huge technological and inventive revolution that we have to create something completely original to make an influential ruckus in it. In other words, we can’t be part of the revolution if we aren’t original in our work.

That’s all good but so many forget how to be original. They don’t know what original means.

You must understand that the more experiences and perceptions of the world you have, the more original you become.

See here,

You have to be a part of everything to be different, to be original. It’s the greatest paradox of creativity and ingenuity.

In other words, originality is alchemy of life. It’s about combing different things, thoughts, perceptions, experiences, etc., together to create something original.

Only in that originality can you change the world.

After all, something can’t come out of nothing, yet that’s what so many think “original” is.

 

Stay Positive & Go Change The World

Garth E. Beyer

A guru once asked me to think a thought that no one has ever thought before. If there is anything that is impossible, it’s this false definition of originality.