Reaching The Market Outside Your Home Town

Reaching The Market Outside Your Home Town

Marketing Outreach

This is a longer post than I usually write. You could easily skip it and respond to the notification awaiting you on your phone. Alas, I hope you find this as practical, if not more.

We’re All Marketers

I’ve never understood PR folk talking about “outreach” in their own community. To me, that’s inreach, as in, easily in reach; as in, if your business is remarkable enough, the success of it will have enough momentum to touch all those in reach. A great business has inreach built in. Steven P. Dennis calls the hometown diehard fans of a business the obsessive core. Marketers, therefore, are for reaching out beyond the core.

Business plan = inreach.

Marketing = outreach.

Clear? Now let’s tackle the outreach by going over a few tools every marketer needs to understand to reach the market outside their zone, their base, their marked territory.

Not Your Average Advertising

As complicated as Facebook advertising is to understand, it’s quite easy to use to target consumers outside common ground.

Say you’re marketing MobCraft Beer to a state other than Wisconsin where they are based and a current Wisconsin resident follows Mobcraft’s FB page. This follower also has a few out-of-state friends she regularly interacts with. Facebook’s advertising algorithm will pick them up and advertise directly, noting to them there Wisconsin resident friend has liked MobCraft Beer’s FB page and they should too.

All social network advertising, not just social media networks are taking into consideration the value of connections, of handshakes, of conversations over the value of eyeballs. You don’t want the mass, anyway. You want those who matter. Right? Advertising isn’t what it used to be. (That’s a good thing for us marketers.)

Working Email and Mailing Address Lists

There’s no reason not to be A/B testing.

A/B testing in its most simplified definition is trying two different things and seeing which works better. Does a zen-like website page get more click-throughs than a collage-designed page? Will a handwritten card with a great photo on the front work better than a brochure? Will emailing small-time bloggers be more effective than a press release to those in authority? It’s time to find out.

Test and measure, test and measure.

And remember: Don’t get on the scale unless you’re willing to change your diet and exercise routine and don’t change your diet and exercise routine unless you will regularly step on the scale. Test and measure.

Surfing the Internet

If I’m not doing some grunt work, I know I’m not doing the best marketing I can. No matter what client I’m working with, I search on multiple search engines to find forums, blogs, and other places where the tribes have gathered. (And, yes, I go into the depths of Google, far beyond the first, second and third pages of results.) The long tail matters. Every small tribe matters.

A smart place to start is Reddit. A fellow PR daily contributor, Mickie Kennedy wrote a short bit on how to use Reddit for PR.

Through surfing the Internet, you’ll realize very quickly (if you haven’t already) how critical being human is. Most online tribes are skeptical; they will downvote blatant advertising and seek clarification of credibility before they upvote, make a purchase or share what you offer.

You’ll also learn (if you haven’t already) those who are the most loyal to brands are the most likely to turn their shoulder to a brand if they feel the outreach is robotic, if they believe the email they received is the same email everyone else on the list received, if they think you’re just in it for the money or job security or because it’s what your boss told you to do.

Moreover, Outreach has Changed/Improved/Realligned

When I get a pitch that tells me I am part of a company’s ‘blogger outreach program,’ it feels condescending to me. My inclination is to get bristly with the person doing the pitching. Other social journalists feel the same way.” – Shel Israel

Now, I wouldn’t be the first to say you have permission to market to everyone, but why would you need 10,000 strangers when you can make 10 friends, 10 people who trust you, 10 acquaintances who respect you, 10 passionate folk who need you.

Permission is one thing, participation is another. Participation is what matters. Find the 10 avid bloggers who need your product or service and connect with them. Find 10 die-hard craft beer drinkers and get on a Google Hangout together. Successful outreach rarely comes from a single click of “send;” it comes from continuous care, effort, and conversation. There’s another obsessive core out there. Reach out to them.

Successful outreach has improved since the days of mass advertising. It’s not about eye balls anymore; it’s about eye contact.

Now is your chance to build your tribe, to establish connections that matter. As for my last PR/marketing tip: never refer to people you are reaching out to as your target market, as part of your outreach program, as part of your market. They are not a special case because they are outside your hometown, your normal campaign realm, your regular target market. They are all strangers at first, then friends, then customers, no matter what geographical market they are in.

 

Stay Positive & Only Reach Out If You Plan To Truly Lift Someone Up

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Uncomfortable Is Original

Uncomfortable Is Original

Banana Comfort, Weird Is Good

Many blogs, many books, many talks are very, very unoriginal. The reason being is they are safe, they are familiar. Ever heard someone say every business book says the same thing, but in a different way? I’ve read enough of them that I would even push back on the “different way” part of the statement. I think all the writing was rushed.

Taking time

It is amazing how well one can write when one takes the time. Think about it. When rushed to write, you use and accept your clichés. Perfect example: journalism. The tight deadlines encourage the use of clichés, of simplification, of uniformity.

When you take time while writing, you find ways to say things better than a cliché can. If you decide to use a cliché, you at least spin it on its head and make it breakdance.

To craft something original…well, it’s scary, it’s uncomfortable, and it takes time.

When you write something original. It’s weird to leave it as it is. You want to change it for fear no one will understand it or like it. It sounds weird in your head reading it over because you’ve never read anything like it before. Orange frizzled daiquiri wedding cake looked sexier than a toucan during mating season. Wasn’t reading that fun? New? An adventure? I wrote it and it feels so weird keeping it.

Alas.

Weird is original and relatable.

The thing about weird I love so much is it will never go out of style. The world will always contain compartmentalists, always produce naysayers, always attract keepers of the status quo — those who are satisfied with the comfort of everything unoriginal. There will always be those resistant to new things and those who fear anything other than what is routine, common, and banal. Yet! There are and always will be those who love and connect with the weird.

Even in light of it all, I still say do what has never been done before. Word the sentence the way you’ve never read anyone word it. If you question whether anyone will like your writing, if you think it’s too far out there, then it’s complete. Ship it. The people who matter in this world (at least who matter to you, to your art) are out there. Wayyy out there. (Think Long Tail)

Build it and they might not come. Build it weird and more will arrive than you ever expected. The freaks shall inherit the earth.

As a dear PR-wonderwoman-friend-of-mine said, “Weird is in. Weird is good. Weird is awesome. Weird is essential. Weird is where the magic is.”

 

Stay Positive & Go Bananas

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p.s. this goes for more than just writing

Lost Glove. One Cold Hand.

Glove

At least 18 people felt bad today. I counted.

I waited for the bus to pick me up and transport me back to work. I noticed a single glove in the middle of the sidewalk where people get on and off the transit. It appeared not stepped on, stirring me to assume it was recently dropped. Perhaps from someone who loaded on the bus moments before I arrived at the station. Not sure what to do with it, I watched it and noticed something peculiar.

Every person who walked past the glove looked at it, stared at it just long enough to think something like “well, that sucks for someone. I wonder if they figured out they lost it yet.”

Similarly, no one knew what to do with it. They just left it there.

It surprised me to find that Jennifer Gooch tried finding a solution to this problem with onecoldhand.com. The hyperlink goes to a shout out at Carnegie Mellon University (where she attended) and not the actual website because the website no longer exists. (You can see what the website looked like by using the Internet Archive Wayback Machine.)

To keep this post short, I’ll keep my argument short.

Jennifer Gooch had the business plan backward.

Today, one person lost one glove. I then watched 18 people empathize until the 19th person actually stepped on the glove, picked it up and handed it to the bus driver. The bus driver shrugged his shoulders and tossed it on the council, certainly to stay there until he decides whether it’s better off being tossed or brought to the transit’s lost and found office. (More likely the former.)

In Pittsburgh, Gooch focused on finding the owner of the one glove, only sometimes relieving it’s owner of the minimal stress of having lost it. Both her and my own’s take is to satisfy one person is, well, satisfying. However, not remarkable.

To satisfy 18+ people in one swoop is remarkable. Instead of creating OneColdHand to meet a demand that isn’t much of a demand (most don’t think, how can I find my glove. They think, when can I go buy a new pair), Gooch could have created OneColdHandTwoWarmOnes – pairing one lost left-handed glove with one lost right-handed glove, then giving them to someone without any.

A reason so many businesses flop when trying to find a niche market is that they go after the wrong long tail. Yes, there are people who use spinoff OneColdHand websites, but there is no profitability in something that is (rarely) at most, satisfying.

Consider when you’re trying to define who you want your audience to be, that although there are people wanting to reunite with their lost glove, there are far more people who have none. The question every entrepreneur or freelancer needs to ask is “who cares more?”

Ask that question enough and you’ll have your target audience. (A profitable one.)

 

Stay Positive & If Mixmatching Socks Is A Thing, Why Not Gloves?

Garth E. Beyer

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Two Types Of Art

The first is risk-free. It’s the type of art that you can destroy without second guessing yourself; the type of art you can return, get your money back, or just give away to someone else because you’re not attached. This type of art is noncommittal.

But it’s still art. In fact, it’s invaluable art.

This type of indefinite art is about expression as much as it is exploration. We can peck at it, flip it, and stick the end of our tongue to it to see what it tastes like. This art is about discovering through creating what we don’t understand. This art is to be played with.

The transition toward the second type of art is made through what all art shares: facing unresolved issues – the meaning of life, why this and not that, where do I belong.

Popular art – the second type of art – is when a creation contains answers.* The second type is about sharing findings, sharing answers, sharing your conclusions – egotistic or not. This is the most difficult type of art. To creat the first type, all you need to do is turn rumination into something tangible. For the second type of art, you have to commit, you have to accept all the criticism you will receive before you receive it. What ruins art creators is when they underestimate the amount of resistance they will have to face, internally and externally. The second type of art is simply art shared.

*[Right or wrong, they are answers. Popular art becomes such through connection, acceptance, and reality. It may not be the right answer for you, and it may be the wrong answer for her, but, essentially, it’s an answer for someone.]

 

Stay Positive & Create A Little Art. One Type Or Another

Garth E. Beyer